Roger Bernat’s theatre is a collective laboratory that records the utopian aspirations and authoritarian fantasies of a community. The spectator ceases to be a witness and becomes an actor in a drama where they renounce being just a victim to accept the risk of acting.
His best-known shows are Domini Públic (Teatre Lliure, 2008), La consagració de la primavera (Teatro Milagro, Mexico, 2010), Please, Continue: Hamlet (Théâtre Grutli, Ginebra, 2011), Pendent de votació (CDN, Madrid , 2012), Desplazamiento del Palacio de La Moneda (STML, Santiago de Chile, 2014), Numax-Fagor-plus (KunstenFestivalDesArts, Bruselas, 2014), No se registran conversaciones de interés (MUCEM, Marsella, 2016-17), The place of the Thing (Athens-Kassel, Documenta 14, 2017), FLAM (Teatre Lliure, 2019), ENA (Teatre Lliure, Barcelona, 2020), PIM-PAM (34 Bienal São Paulo, 2021) and Desnonissea (Centre d’ Art Santa Mónica, Barcelona, 2021). These shows have been represented in more than 30 countries.