The exhibition FALL continues the previous work of relationally invoking images of great media circulation.
The intensification of the ideological aspects of the investigated iconographies constitutes a critical and ironic process through which it is intended to suggest that globalization is not a natural phenomenon, but a political phenomenon, with wide antecedents, in order to achieve precise objectives.
Formally in support of painting, concepts such as poverty and abundance, democracy and liberalism, rise and fall are explored.
The chronicle created is speculative but open, as opposed to the entropy of readings that the media and other powers are dropping.
– Pedro Amaral
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