In the context of Fernando Brito’s exhibition Budonga, Galeria Zé dos Bois hosts a special screening of the documentary Homeostética 6=0, with the presence of director Bruno de Almeida. We also count with Fernando Brito, Pedro Portugal, and Pedro Proença, for a conversation about the homeostatic universe, the artistic movement that emerged in Lisbon in the early 1980s, that marked inescapably the Portuguese artistic panorama of the post 25th April. Through the use of humor as a way of criticizing the artistic market system, this movement was characterized by a marginal position of Dadaist influences.
