The guitar, the metric, the rhyme and the singing; the same compositional devices with which Alexandre Rendeiro has been building his Anglo-Saxon project Alek Rein, this time dedicated to celebrate this side of the Atlantic and submitted to the grammar and vocabulary of everyday Lisbon. In this unprecedented collection of songs to be presented at the ZDB aquarium, the contemporary discourse is interrupted by reminiscences of the PREC or the old anarchists of CGT, but the name Oriano is used here as an orthonym in opposition to the heteronymic character of Mirror Lane’s songwriter. As such, trejets in honor of the resistance singers of the 1970s should not be seen as signs of artistic pride; rather, they are mere expressions of the will of their generation, the same one that fills the green receipts that give the compass to their precarious life while dreaming of the Commune of Arroios and the society of general self-management.