Phill Niblock

Galeria Zé dos Bois

A most crucial figure in the evolution of minimalist aesthetics over the past fifty years, he explores, usually through the incorporation of a set of conventional instruments such as the electric guitar, violin or flute, the microtonal possibilities of the drone – what Charles Ives once called “the notes between the grooves” – creating an absolutely unique body of work, permanently re-balanced, unparalleled in contemporary music.

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