Erika Balsom is a scholar and critic based in London, working on cinema, art, and their intersection. She is Reader in Film Studies at King’s College, London, and holds a PhD in Modern Culture and Media from Brown University. She is the author of four books, including TEN SKIES (2021), After Uniqueness: A History of Film and Video Art in Circulation (2017) and Exhibiting Cinema in Contemporary Art (2013), and the co-editor of Artists’ Moving Image in Britain Since 1989 (2019) and Documentary Across Disciplines (2016). She regularly writes criticism for several publications, including Artforum, 4Columns, and Cinema Scope. She was the co-curator of the exhibitions No Master Territories: Feminist Worldmaking and the Moving Image (2022) at the Haus der Kulturen der Welt, Berlin, and Peggy Ahwesh: Vision Machines (2021) at Spike Island, Bristol, and of the film programme Shoreline Movements for the 2020 Taipei Biennial.