In the midst of the unruly horde that seeks to play hardball on the track that is reappearing in the L.I.E.S. catalogue, Tzusing is immediately distinguished by a greater debugging and subject matter in sound, cleaning the tape fog and the gimmicky mantle of falsely lo-fi noise without ceasing to be genuine or any other trve underground assumption that sticks too much to projects of this nature. Filtered by the geography and age of the musician, these trejects absorb music rooted in oriental culture reflected in percussion scales and textures. Transparency is admired and is often a fear with some foundation, but in this case it is really unfounded. His music escapes any kind of predatory action in order to take on much of its own.

More or less recently appearing at the epicentre of an entire agitating movement with consciousness, faith and vitality where we find the collective Rabbit Hole or the nights Mina – where she is resident -, NAOMI has been taking an increasingly firmer pulse in the twists of Lisbon clubbing with regular appearances in the most frequented places. With attitude and sense of community on the most virulent side of the celebration, it is based on brutal techno faction and transcendence via the acid lines and a whole magnetic field – hardcore, electro, undefined – equally vital.