‘Dreams In Splattered Lines’ fuses together Wolf Eyes’ 25 years of DIY electronics with the avant-garde sensibilities of Fluxus and the granite of dreary Midwestern life. Continuing some of the ideas explored on the Difficult Messages record of collaborations, the result is a surreal dreamscape of disorienting sound collages, where hit songs are transformed into terrariums of sonic flora and decimated fauna. As if pulled from a fever dream, the surrealists of the 1960s converge with alien electronic blues musicians in an underworld of mystery. The air is thick with car wash radio white noise, crackling and fizzing like a toxic elixir, spoken word poetry transmissions as absurd and cryptic phrases. Each corroded aural environment is a microcosm of chaos, honed to razor-sharp precision. Swept away in a whirlwind of thirteen perplexing narratives, each one an unpredictable journey through subterranean worlds, a sonic trip of reality folded into itself.

“In the present album, Gonçalo Almeida questions the future of the double bass and of music in general, inventing a sound that has not yet been heard. Like many important discoveries, his invention required more imagination than equipment: « my setup is simple », he says, « just an amp and a volume pedal». Listening to the seven tracks of this album, one also imagines a subtle interaction between the amp and the bass: slight movements that change the position and distance of the resonator (the body of the bass) from the speaker to create controlled feedback. We also imagine something like a gymnopédie with the volume pedal, to modulate a distortion that enhances the bowing stroke, the pizzicato resonance and several mysterious preparations. The improviser has the advantage over the traditional composer of hearing in great detail the specificity of the sound he invents. This live listening pushes him to other lines that he would not have imagined in the silence of a working room. Obviously, the new sound of the double bass discovered by Gonçalo Almeida has directed his music towards unexplored paths.The trio of timbres born from the combination of feedback, distortion and acoustics led him to lines and energies that he had not yet developed in his previous albums. Clearly, the music on this album is something else.” Pierre Bastien