ZDB

Performing Arts
Performance

Drag(on)

— by Mariana Tengner Barros

Wed22.10.2507:30PM
Thu23.10.2507:30PM
Fri24.10.2507:30PM
Sat25.10.2507:30PM


© Beatriz Pequeno
© Beatriz Pequeno
© Beatriz Pequeno
© Beatriz Pequeno

In Drag(on), Mariana Tengner Barros summons the body as a portal of passage, not for representation, but for the raw experience of altered states. Between ritual and spectacle, the performer dissolves the protocols of the scene, shifting the gaze to a territory where the familiar opens up to mystery.
Between dragons and drag, between transvestism and shamanism, metamorphosis inscribes itself on the body as trance, spasm, and possession. There is no linear narrative, but invisible currents that drag the viewer through apocalyptic landscapes and aquatic mythologies. Banality becomes gilded, the face loses its contours, and gesture explodes into involuntary orgy.
This solo stands as an ode to water and its powers—tears, rivers, seas—celebrating difference, strangeness, and the visionary inner cosmos. Drag(on) is the emergence of a more real reality, an invitation to relearn how to see with the body, to feel the invisible, and to inhabit the forgotten imaginary.

Mariana Tengner Barros

MARIANA TENGNER BARROS is a choreographer, dancer, performer, and the artistic director of A Bela Associação.
She has choreographed and performed in numerous solo and group pieces, notably The Trap (winner of the Jardin D’Europe-Austria Audience Award in 2011), EXI(s)T(s) (2018), Instructions for the gods (2017), A Power Ballad (2013), and Resurrection (2017), both co-created with Mark Tompkins.
Her work is fueled by her fascination with the “spectacle” of life, the way people represent and present themselves in the social planes of existence, and the tensions between worlds. Over the last decade, she has been investigating the figure of the witch, her connection to the sacred feminine, and her symbolism as a rebel against oppression. Dance is the basis for a highly multidisciplinary work, with a strong musical contribution from collaborating musicians Jonny Kadaver and Mee_K.
She combines her work as a creator and performer with teaching in different contexts, as well as social action work, namely the ongoing project Floresta Invisível (Invisible Forest), focused on the defense of century-old trees and the promotion of environmental awareness.
Improvisation is a constant tool in her practices and work, both in terms of research and creation. As a performer, she highlights her collaborations with Meg Stuart, Francisco Camacho, and John Romão. She is a singer and keyboardist for the band KUNDALINI XS. In 2016, she received the Municipal Cultural Merit Award from the Vila Nova de Famalicão City Council for her professional career.

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