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Performing Arts
Performance
Theater

Ajax

— Cláudio da Silva

Thu01.10.2607:00PM
Fri02.10.2607:00PM
Sat03.10.2607:00PM
Sun04.10.2604:00PM
Thu08.10.2607:00PM
Fri09.10.2607:00PM
Sat10.10.2607:00PM
Sun11.10.2604:00PM


Aias, or Ajax Telemonius, or simply Ajax the Great, was regarded at the end of the Trojan War as the second-best Greek warrior, second only to Achilles. Following the failed attempt to murder Ulysses and his army, Ajax fell from grace and took his own life. But his half-brother, Teucer, despite the dishonour of suicide and the opposition of Agamemnon and Menelaus, decided to pay him the honours he was due.

Who, like Ajax, driven by primal instincts such as the urge for revenge for an injustice, has not fallen victim to illusions caused either by their own weaknesses, by the intervention of others, or by an event or a particular social context? The information age – or rather, the age of the discrediting of information and the fog that so often shrouds its sources – is, today, the ideal context for the development and propagation of political discourses, social measures and ideologies that are cruel, unjust, anti-democratic and regressive. Thus, the path is gradually being paved for the total eclipse of the Universal Declaration of Human Rights and human dignity, and of the rights of all sentient living beings; and, as a result, profoundly inhumane acts are permitted, normalised and disseminated globally. How can we confront this era, this time, this threat of the complete and abysmal degradation of our civilisational values?

We are, therefore, facing constant attacks on democracy and the progress of civilisation. The absence of dialogue, extremism and the deafening clamour of our times are gaining strength and perpetuating their assault by undermining critical thinking and, consequently, sound judgement. Restrictions on freedom of expression, disinformation – or the manipulation of information – and its exploitation for political and economic ends undermine the very heart of democracy. What are we to do in the face of this entrenched social madness, in the face of the social hysteria manifested in consumerism and unbridled speed? Sophocles’ Ajax is a reflection on the limits of power and is also, it seems to us, a response to totalitarian and all-encompassing threats. A response that springs from the very depths of our civilisation and the cradle of democracy.

Drawing on the text of Ajax, probably Sophocles’s oldest tragedy, this production—which premieres at the TMJB—takes a theatrical approach to the text and the figure of Sophocles, interweaving them with testimonies, narratives and artistic interventions to create an original and incisive work. What we set out to do, given the context in which we live, is to present a form of theatre that is profoundly human and that looks back at us. A theatre that looks us straight in the eye.

Cláudio da Silva

Huambo, Angola, born in 1974. Degree in Applied Foreign Languages and Portuguese Language from the Portuguese Catholic University and a Bachelor’s degree in Theatre Studies from the Higher School of Theatre and Cinema. He has worked with Teatro Praga, Miguel Loureio, João Fiadeiro, Miguel Pereira, Jorge Silva Melo, Rogério de Carvalho, Pablo Fidalgo, Ricardo Aibéo, Mário Trigo, Madalena Vitorino, Jean-Paul Buchieri, Inês de Medeiros, Carlos Pessoa, Emmanuel Demarcy-Mota, Ana Borralho and João Galante, Nuno Cardoso, Nuno Lucas, Rita Natálio, João Samões, Gonçalo Amorim, Manuel Wiborg and António Pires. He directed O Meu Blackie by Arne Sierens for Artistas Unidos and Felizmente Há Luar by Sttau Monteiro for TEP. He co-founded Teatro Fantasma with Carla Bolito and O3 with Pedro Núñez. He founded Poeta Armando. In film, he has worked with Solveig Njordlund, Jorge Cramez, José Pinto Nogueira, Luís Galvão Telles, Ico Costa, Paulo B. Menezes, Patrick Mendes, Luís Filipe Rocha, Sandro Aguilar, Miguel Gomes and João Botelho. He received the SP/RTP Award for Best Film Actor for his performance in João Botelho’s Filme do Desassossego. He received the SIC/Caras Award for Best Theatre Actor for his performance in Rogério de Carvalho’s Se Isto É Um Homem.

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