Owner of a fascinating research work around the oral tradition, social chronicle or simple creation DIY, Cátia Sá is a secret too hidden. It is by her innate curiosity about what surrounds her, and in the way she questions things, that she extracts much of the essence in her music. She uses her voice, either in a dry tone, or using loops and sound layers, to compose surrealist mantras or broken ballads. Using a more exploratory approach than in previous projects, the almost amazonian nature of her music reveals itself to be full of potential. “Deusa da Poda” was one of the strongest songs to emerge in recent years, a brilliant exercise in semantics and rhythm.

There are several legends and urban myths around John T. Gast, the man who has been present in some of the most essential labels of the last years: from Blackest Ever Black, to Planet Mu or even Trilogy Tapes, among others.