ZDB

Transdisciplinar
segundas na z

Enxoval ~ segundas na z

— by Ânia Pais with Liana Pais and João Feio

Mon07.07.2510:00PM
Galeria Zé dos Bois


enxoval
enxoval

I consider my work to be perhaps a response to the earth.
And if not a response to the earth, then perhaps it is a testimony to a conversation with it.
A conversation with the space and time that surrounds me, with the sensations that are triggered in my body. I am interested in space being the main influence on my practice, in the landscape around me being what guides and drives me to explore.
Curiosity plays a major role in the development of my work. There is a need to make things happen and to experience the very event of creation, of its process. I am interested in how space creates a motivation and need in my body and spirit, and above all, the role that sensitivity will play in this need.
Hence my interest in a nomadism inherent to my practice, there is a great desire to get to know my own work, to be able to discover it through the different spaces I occupy and, during its construction process, what its needs are after experiencing a certain time and space. I am interested in knowing how far it can go and, above all, in getting to know it again and again, in living the experience of its happening.

ENXOVAL

Prometo deitar mais lenha para a fogueira
Arder e fazer arder.

Devia ser sobre essa queimada.

De recolher os ramos necessários
Juntar o corpo com a noite
Perto das estrelas
E no escuro lançar a chama
Vê-la dançante e dançar ao redor dela.

Invocar as bruxas e com elas lançar feitiços.
Rasgar a pele e partilhar o que mora dentro
Dar espaço ao desejo e à vontade
De ser
Como se tiver de ser.
Num rasgo contínuo.

Rasgar e fazer rasgar.

Ânia Pais

Ânia Pais (São Miguel, 1998) is a visual artist who lives and works between the village of Atalaia (Covilhã) and Lisbon. She holds a bachelor’s and master’s degree in Painting from FBAUL. Notable exhibitions include Habitar o entre, Galeria Municipal Jovem, Palácio Quinta Municipal da Piedade (2023), Sempre e nunca mais, Museu de Arte Contemporânea de Elvas| Coleção A. Cachola, curated by Ana Cachola and Tiago Candeias (2024) and O fio que nos une, Museu de Arte Contemporânea de Elvas| Coleção A.Cachola (2025). In addition to Portugal, she has exhibited in Greece, the United States, France, and Canada; Αδράνεια ΙΙ (2021), Small Changes Big Impact, Dulles (2022), PREMIÈRE, 28th edition – Abbaye Saint André Contemporary Art Center (2022) and Oliva Art Center (2023), From Dawn, Portneuf Linen Biennial, respectively. Also noteworthy in her research process is her scenography in A Infinda Apetência da Luz do Sol by Eduardo Molina, a multidisciplinary performance. As well as her solo exhibitions In Perpetuum, Cisterna, Faculty of Fine Arts, U Lisboa (2023), O que ficou, curated by Inês Rebeca and Mariana Baião Santos, Espaço Cultural Mercês, Lisbon (2023), Mover a Terra, CAU (2023). In 2023, she was awarded the Bolsa Rama – Residências Artísticas prize as part of the 8th edition of the Prémio Arte Jovem, Fundação Millennium BCP – Carpe Diem Arte e Pesquisa, and had works acquired by the António Cachola Collection. In 2024, she was awarded a grant for the 2024 edition of the Project Rooms of the Porto Photography Biennial and a grant from the Calouste Gulbenkian Foundation to support creation with the collective project O gesto de fazer o ninho (The gesture of making a nest). She has also been selected for the book PEA 2024 – Portuguese Emerging Art 2024 and, in 2025, for the residency project STUDIOTOPIA 2.0: Enter the symbiocene with Arts and Science in Romania, a Creative Europe project.

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