Parece ser draws on the technical resources that Iván Haidar employs in his projects to reflect on himself and to be able to sit facing his own self, creating, for a moment, the illusion that there is nothing more real than believing what we see, even when we know it is not true.
He invites us to take our seats in an auditorium to watch a performance in which fiction itself is the audience, immobilised and neatly arranged for a certain period of time, facing what is likely to be the reflection of their own thoughts.
