Inspired by Greek mythology and Max Ernst’s famous surrealist painting The Nymph Echo (1936), this performance reflects on the figure of women as mythical creatures in relation to the modern world. The representation of nymphs, sirens, and mermaids as personifications of beauty, femininity, and a deep connection with nature highlights the timeless fascination and mystique associated with these figures. Their divine, healing, and metamorphic qualities make them powerful symbols of transformation and resilience. By introducing a cyborg mermaid inspired by Donna Haraway’s essay The Cyborg Manifesto (1985), this performance reinvents the nymph as a hybrid figure navigating the intersections between humanity, technology, and nature. Echo becomes an echo—a reverberation, a reflection of what it means to be a nymph. She transcends the role of muse to assert herself as an agent of transformation, a metaphor for the constantly evolving roles and identities of women in contemporary society. Always observed, admired, or judged—what does it mean to be a woman today?
Ieva Bražėnaitė (Lithuania) and Iro Xyda (Greece) are a duo of dancers, performers, and creators based in Lisbon. They met in 2019 at the FOR Dance Theater of the Olga Roriz Company, beginning a friendship and ongoing artistic collaboration. Together, they have created two dance performances: AEQUARE (2023), in collaboration with visual artist Pinelopi Triantafyllou, and The Nymphs’ Echo (2024), with the participation of Lisbon-based visual artist and animator João Figueiras. With this latest performance, which integrates elements of dance, video, and cinema, the trio travels through various spaces in Lisbon, creating an intimate, sensitive, and captivating experience in an attempt to address current themes such as the relationship between nature and technology, the history of gender, and the dynamics of contemporary identity.