A whole new world born out of a patient and largely remote collaborative process spanning several years, following a fruitful first meeting in Bandung, Indonesia, in 2017, Duori unashamedly and legitimately bills itself as ‘5th World Music’, giving a nod to the legacy of Jon Hassell. With the imaginary neologism ‘duori’ suggesting a dimension somewhere between an inside and an outside – in keeping with the project’s very origins, in that shared virtual existence where ideas and recordings flow across distance and time – the music captured on this recording for the Belgian platform STROOM.tv also exists beyond geographical and temporal constraints. A fifth world born of the collective imagination of these two entities, whose paths have been distinct yet who are equally devoted to exploring other (un)realities: Whilst Heith, the Italian Daniele Guerrini has been reworking downtempo/trip-hop tropes, ECM-inspired atmospheres, hazy memories and an aura of mysticism that defies definition on albums for his own label, Haunter, or on the impressive PAN. Miles and experiences away, and with a highly recommended album on Rabih Beaini’s Morphine label – Wanci – Tarawangsawelas has been reviving the legacy of the sacred Tarawangsa music of West Java through minimalist and hypnotic gestures. From this cosmic alignment of sensibilities emerges Duori, a multicultural, fairy-tale-like evocation, somewhere between the urban mirage and the temples of Bandung, a gentle collision of traditional Indonesian instruments and electronic processing that weaves together notions of ancestry and the future in a present without a map, one that never succumbs to tourist voyeurism.
BS



