Henrique Loja (b. 1992, Lagos) is a visual artist and curator based in Lisbon. He graduated with a degree in Painting from the Faculty of Fine Arts at the University of Lisbon and completed a Master’s degree in Contemporary Artistic Practices, the Work.Master programme at HEAD Genève, in Geneva. In 2020, together with Sofia Montanha, he founded Supermala, a curatorial platform and space for experimentation that combines artistic practices with exhibition and editorial formats.
His work has been presented in various exhibition contexts, including ‘wall work’, Cosmos.CAC, Lisbon (2026); ‘Âmbar’, Galeria Mais Silva, Porto (2025); ‘Housewarming’, Monitor Gallery, Lisbon (2023); Open Studios, Cité Internationale des Arts, Paris (2023); NO GLOVO PRO BONO, Spirit Shop, Lisbon (2022); Le protocole, La diode, Clermont-Ferrand (2022); Swiss Art Awards, Messe Basel (2021); Wie zu Hause wo ich nicht bin, Centre d’Art Contemporain, Geneva (2020); Fridges Are Not Frigid, Archivio Conz (2019); and Exercises in Futurology, Galeria Quadrum, Lisbon (2016). He was awarded the Kiefer Hablitzel Stiftung prize as part of the Swiss Art Awards (2021) and was a finalist for the NOVO BANCO Revelação Prize / Serralves Foundation (2017). He has also received several grants, including support from Culture Moves Europe (2023) and the Bourses Déliées from the Fonds Cantonal d’Art Contemporain de Genève (2021).

Noise and industrial sounds are at the forefront of Tiago Biscaia’s live performances. Using the venue as an extension of his performance, the Lisbon-based artist seeks improvisation and physicality, both presented and absorbed. These ideas take shape in a dissonant form through Biscaia’s processing of feedback, high-pitched drones, bass, harsh noise, and distortion.